在上海一条不起眼的小弄堂里，有一家只在深夜营业的小餐馆，老板是一位50岁左右的大叔，他会为每个到访的食客做一份只属于 他的食物。生活在弄堂里的忠伯和阿龙都是食堂的常客，每当夜幕降临，这座繁华都市中便有各色孤单灵魂在此相遇。 广告公司的加班三人组便是这般偶然登场，被美食洗去满身疲劳的同时，也邂逅了更多身怀故事的朋友，夜班出租车司机唐宋即是其 中之一。唐宋是在接醉酒的音乐人阿信时发现了食堂的存在，从此他就会在清晨带青梅竹马的思思来吃家乡的蛋饼。但是唐宋渴望安逸的 生活，思思却有梦想要追寻。在机会繁多的大城市中，两个年轻人的结局会像蛋饼一样圆满吗？ 很多人在深夜食堂相遇、相知，也学会成长。小美是一个调香师，她喜欢在食堂诉说自己的喜怒哀乐，尤其是和初恋学长的往事。面 对这段遗憾的青春，小美也在食客们的帮助下逐渐释怀。 “老牌绅士”的忠伯与菜场的海鲜老板莲婶最终相依为伴。莲婶的儿子开源为 人老实憨厚，在食堂偶遇了带女儿来吃糖藕的单亲妈妈明月，爱慕就此在心中萌芽。而“海漂女孩”小雪的出现，也让阿信终于等到了音 乐路上的知音…… 大叔随着食堂的夜晚一起经历人来人往，满足食客们的味蕾，也见证了各式人生。而无论夜多深、路多远，大叔还会在食堂里继续倾 听大家的故事。

暂无简介

A 21-year-old construction worker in New Mexico joins a community of queer rodeo performers in search of their own version of the American dream.

该片讲述了在改革大潮的冲击下，孔氏家族内部爆发的一场尖锐的矛盾冲突。

　　丹尼尔（萨米·纳塞利）度过了披萨快递员的最后一天，做起了出租司机。然而在他看来，出租司机并不是他真正的职业，他是名真正的快车手。因为超车被罚，丹尼尔结识了警察艾米（佛瑞德瑞克·迪分索）。艾米考了八次驾照都没通过，工作里捅漏子，情场上没胆量，连烧水都能引起火灾，总之是个把一切都搞砸的笨蛋。

　　丹尼尔（萨米·纳塞利）度过了披萨快递员的最后一天，做起了出租司机。然而在他看来，出租司机并不是他真正的职业，他是名真正的快车手。因为超车被罚，丹尼尔结识了警察艾米（佛瑞德瑞克·迪分索）。艾米考了八次驾照都没通过，工作里捅漏子，情场上没胆量，连烧水都能引起火灾，总之是个把一切都搞砸的笨蛋。

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

第二季已确认制作！

『私たちの日常は、どこだって楽しい』

故事发生在1914年的英国，维芙（米兰达·理查森 Miranda Richardson 饰）邂逅了名为艾略特（威廉·达福 Willem Dafoe 饰）的男子，此时的艾略特只是在牛津莫顿大学研究现代派诗的青年学生，一见钟情的两人很快就携手步入了婚姻的殿堂，婚后，艾略特展现出了对于写作的巨大热情，维芙百分之百的支持着丈夫，甚至充当了女秘书的角色。

本片主要讲述的是冲破伦理和道德的枷锁，彻底放松内心的欲望·..露点不是结果，而是过程！亲情与爱情混乱交错，冲破伦理的牢笼，肉体在欲望的驱使下无法自控。

本片主要讲述的是冲破伦理和道德的枷锁，彻底放松内心的欲望·..露点不是结果，而是过程！亲情与爱情混乱交错，冲破伦理的牢笼，肉体在欲望的驱使下无法自控。